Michael Sippey
1 min readSep 2, 2020

Jesmyn Ward, author of Sing, Unburied, Sing, and Salvage the Bones, writes in Vanity Fair about the death of her husband, the pandemic, and witnessing rivers of protestors. Make time and space for this.

During the pandemic, I couldn’t bring myself to leave the house, terrified I would find myself standing in the doorway of an ICU room, watching the doctors press their whole weight on the chest of my mother, my sisters, my children, terrified of the lurch of their feet, the lurch that accompanies each press that restarts the heart, the jerk of their pale, tender soles, terrified of the frantic prayer without intention that keens through the mind, the prayer for life that one says in the doorway, the prayer I never want to say again, the prayer that dissolves midair when the hush-click-hush-click of the ventilator drowns it, terrified of the terrible commitment at the heart of me that reasons that if the person I love has to endure this, then the least I can do is stand there, the least I can do is witness, the least I can do is tell them over and over again, aloud, I love you. We love you. We ain’t going nowhere.

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